This
week's contributor is Danielle Jones, a youth and teen public librarian in
Portland, Oregon. She is currently serving on ALSC’s Equity, Diversity, and
Inclusion Task Force and the 2018 Sibert Committee.
Tedd Arnold has garnered two Geisel Honors for
books in his Fly Guy series (2006 Hi!
Fly Guy and 2010 I Spy Fly Guy). His keen sense of humor is a match for what
beginning readers find hilarious, and he is able to repeatedly deliver books
that have mass appeal.
Next in the Fly
Guy series is Fly Guy’s Big Family.
Buzz, a young boy notices his pet fly, Fly Guy, is drawing picture’s of Fly
Guy’s family. Buzz, realizing that Fly Guy is missing his family, decides to
hold a surprise party for Fly Guy inviting hundreds of Fly Guy’s closest
relatives.
Many factors make this title very Geisel worthy.
Humor is a propelling forces keeping the reader engaged. Simple short sentences
and use of a controlled vocabulary with plenty of white space leaves room for
decoding and comprehension. The illustrations reinforce the text, and there is
lots of word repetition. “Surprise” is repeated throughout the story and the
word “drawing” is shown both as a verb and a noun. A word like “cousin” that
might pose challenging to sound out, is cleverly introduced with Arnold’s use
speech bubbles when Buzz meets the first of Fly Guy’s family members to arrive
for the party when she introduces herself as “Cuzz.” Cousin is then later
repeated several more times.
Also out this year by Arnold is Noodleheads See the Future, the second
in his graphic novel Noodlehead series that pays homage to folklore’s
noodlehead stories. Arnold’s pasta shaped characters, Mac and Mac, and “Meatball” the antagonizer, get the humor
rolling in this title where characters often state the obvious, but the two Macs view it as them “seeing the future.” Short chapters build on each other carrying
threads of previous stories full circle to a satisfying ending and also offer
readers a great "’page-turning’ dynamic.
What makes this a great graphic novel - its use of more rare words
(those words that are used mostly in daily conversation, and outside the
controlled vocabulary of most readers) - might deter it from being a
great early reader. Noodleheads doesn’t maintain the controlled vocabulary that Arnold uses
in the Fly Guy series. Words like “bruise” and “piece” are used several times, but the illustrations don’t always give context clues as to their
meaning, and if it is a hard word to decode, the reader will miss the joke, and
might get frustrated. Established readers however will delight in exploring
these funny folk tales in a new way.
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