Grace has long been passionate about beginning readers, and it’s thanks to her that Holiday House’s I Like to Read® books were born. “My daughter is a brilliant visual thinker with a language processing disability,” Grace said. “When she was learning how to read, she needed good books that were easy to read. Easier than Frog and Toad, which was difficult for her for quite some time.” When Grace started at Holiday House, editor-in-chief Mary Cash asked her to start a series of beginning readers. Grace explained, “I knew exactly what I wanted to do. I didn’t want to duplicate the books that were already available. I wanted to publish good books for the newest readers. And for struggling readers who need easier books. And for kindergarteners, who are now learning to read.”
Grace Maccarone and Paul Meisel Courtesy of Grace Maccrarone |
Some editors provide their authors with design guidelines or word lists. Grace prefers not to give her authors any limitations. “I don’t give people word lists. Again, word lists are restrictive. Words in word lists tend to dictate the story. It’s better to have a story that comes from the heart.” However, Grace notes that I Like to Read® books always use simple fonts and large type. Specifically, they prefer the “stick-and-ball” “a.”
Paul fleshed out the story and added more characters (a cat, a mouse, a bee, and a rabbit) and sent Grace a revised manuscript with sketches. The narrative also changed from first to third person. “The original story is about the dog wanting its owner to let it out to chase squirrels, and the dog’s anxiety about being ignored and not being able to go out,” Paul explained. “In the final story, the idea of chasing squirrels remains a constant although other animals are added for variety and a better reading and learning experience.” Grace was especially attracted to the mysterious and intriguing front endpapers, just why was that dog barking up the tree?
Nearly all I Like to Read® titles are authored and illustrated by the same person. I asked Grace if this is a conscious choice. “Yes,” Grace confirmed. “The visuals are doing the heavy lifting in these books. In our example, I See a Cat, it’s the interplay between text and art and the visual execution that makes the book exciting to read.”
Example of Paul’s original sketches (from January 2014) - Courtesy of Holiday House |
Example of Paul’s final art (November 2016) - Courtesy of Holiday House |
Paul then made another set of revisions based upon Holiday House queries and comments, as well as some of his own new ideas. For instance, the rabbit was eliminated; the squirrel made an additional appearance. The text was in first person again. Everyone looked at the revised sketches, and Paul started to work on final art. He decided to use to use watercolors, acrylics, and pencils on Strathmore paper, which he would then scan to make digital enhancements. Paul explained: “I wanted a bold, graphic line, but was hesitant to draw it in Photoshop as I wanted the line to have the same qualities as my line when I draw on paper. So I drew the story in pen and ink on paper and scanned and greatly enlarged the drawings in order to get that bolder look. Working in Photoshop, I was also able to make the line solid black where I wanted it and change it to other colors in places such as the rug, the grass, and the background trees and bushes.”
Meanwhile, Paul continued to tweak the compositions and even make some major changes. The cat became more meaningful to the story. It is fascinated by the dog and serves as a kind of Greek chorus. The bee moved indoors to make for a more interesting design. Grace notes that she communicated with Kerry and Paul constantly about “concerns too numerous to list” right up to right up to the last minute and beyond.
Example of Paul’s original sketches (from January 2014) - Courtesy of Holiday House |
Example of Paul’s final art (November 2016) - Courtesy of Holiday House |
Paul gave Grace and Kerry some early finished pieces so they could see what the color would look like. Based on some of Kerry and Grace’s concerns, Paul changed the color of a holding line and made adjustments to eliminate a grainy texture.
In September, 2016, Paul delivered the final art. And in October, 2016, Paul, Kerry, and Grace had a celebratory lunch. Grace told me, “Lunch is an opportunity to learn more about a book. An artist might share some special challenges or secrets.” For example, “The rug is a bit of an homage to a favorite artist, Jean Dubuffet,” Paul explained. “He often used the same colors, along with a bold line. And in the grass, although a bit more subtle, you can see an homage to another artist, Jean Arp. I overlapped organic, Arp-like shapes in order to give the grassy areas more interest in a somewhat abstract way. I didn’t attempt to make the grass realistic.”
Example of Paul’s original sketches (from January 2014) - Courtesy of Holiday House |
Example of Paul’s final art (November 2016) - Courtesy of Holiday House Note: The original setting with the dog looking out from inside the house remained the same even as the story line changed. |
I See a Cat by Paul Meisel Book cover courtesy of Holiday House |
I asked Grace when and how reading levels are determined for Holiday House’s I Like to Read® books. She shared that all books are sent to Marla Conn at Read-Ability, Inc. “She determines guided reading levels, grade levels, and reading recovery equivalents. We don’t know what level a book is until Marla tells us.”
June, 2017 was exciting. That’s when I See a Cat received its first review, and a starred one at a that! On September 5, 2017, after over three years of work, the book will finally be published. After hearing so much about the book, I can’t wait to see the published book and read it with kids!
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